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Results: 13

• The archetypal space of the palace in E. Zola’s novel «The La­diesʼ Paradise»

  The article reveals the connection between the artistic space of the natu­ralistic novel with the archetypical forms of mentality and culture. The author used the structural-semiotic method of text analysis, as well as the analysis of archetypical images that are regularly repeated in the European cultural expe­rience. The concept of “archetype” ...

• Archetypes in “The Prospector” by Jean-Marie Gustave Le Clezio

  The textual analysis of three archetypes, "prospector", "mother" and "rebel" is conducted in the article by the example of the novel "The Prospector" by the French writer Jean-Marie Gustave Le Clézio. The concept of "archetype", its ...

• The genitive of quality as used in typological characterisation of a person

  ... describes the syntactic model termed as the adnominal genitive of quality, as well as its use in the archetypisation of a person. It is argued that the semantics of a noun functioning as an adnominal attribute produces two types of cultural-linguistic archetypes. An attribute noun referring to a sphere of moral or behavioural characteristics (‘человек сло­ва’, ‘man of success’, ‘człowiek honoru’) is associated with the model of the ethnocultural ar­chetype; a meaning relating ...

• The ‘Faust zone’ in the works of Goethe and Pushkin

  This article considers the ‘Faustian motif’ in Pushkin’s life and work. The problem of the ‘Faust zone’ in history is emphasised in the context of compari-son of different ideological and poetic interpretations of the Faustian archetype in the works of Goethe and Pushkin. It is concluded that Pushkin’s poetic ge-nius is Christian in its essence and related to the key characteristics of the Rus¬sian national identity. 1. Гёте И. В. Фауст // Гёте В. Собрание ...

• Olya the Crazy: N. Kononov’s novel The source of mutilation in the mirror of a movie

  This article considers the intertextual connection between N. Kononov’s novel The Source of Mutilation and A. Rou’s movie Kingdom of Crooked Mirrors. The author identifies and describes the universal culture-forming Doppelgänger archetypes relevant to both works. 1. Кононов Н. Магический бестиарий. М., 2002. 2. Мифы народов мира : энциклопедия : в 2 т. М., 1988. 3. Мюллер В. К. Англо-русский словарь....

• The image of river in A. Ivanov’s novel The gold of revolt: the linguistic aspect

  ...   С . Геопоэтика Алексея Иванова в контексте прозы об Урале: дис. …канд. филол. наук. Пермь, 2008. Karnaukhova O.A. lingvostylistics, river, toponym, nomination, space, archetype 109-113

• The woman as seen by a man in modern Russian chanson

  ... статья» : [сайт]. URL: http://www.1001statya.ru/read.php?pid=3522 (дата обращения: 06.05.2013). Berestnev G. Russian chanson, gender, concept, linguistic reconstruction, semantics, text, cultural linguistics, analytical psychology, archetype 78-84

• Don Carlos by F. Schiller in the translation of A. Mickiewicz and in the context of the Legend of the Grand Inquisitor by F. M. Dostoevsky

  ... Carlos», in «The Great Improvisation» by A. Mickiewicz and the legend of The Great Inquisitor by F. Dostoevsky. It is shown that F. Dostoevsky reduces the ideology of freedom and power, typical of F. Schiller and A. Mickiewicz, to the Evangelical archetype of the three temptations of Christ and the choice between freedom and power — to a metaphysical dispute about the human soul. 1. Кибальник С. А. «Легенда о Великом инквизиторе» Ф. М. Достоевского ...

• Alchemic symbols as a means of psychoanalytical description in N. Kononov's story «Source of Injury»

  ... past events and their analytical understand­ing, leading to their strictly individual perception. Kononov, N., 2012. Source of injuries. In: N. Kononov, ed. Saratov: rasskazy [Sara­tov: stories]. Moscow (in Russ.). Konstantinov, A. V., 2007. The archetypes of transformation in alchemy. In: S. V. Pakhomov, ed. Filosofiya, religiya i kul'tura stran Vostoka: mater. nauch. konf. [Phi­lo­so­phy, Religion, and Culture of Eastern Countries: Conference Proceedings]. St. Pe­ters­burg, 7—10 February ...

• The symbolic complexes of mass culture and the semiosis of political discourse

  ..., pp. 203—206 (in Russ.). Eco, U., 2016. Ot dreva k labirintu. Istoricheskie issledovaniya znaka i interpretatsii [From the tree to the maze. Historical studies of the sign and interpretation]. Moscow (in Russ.). Jung, C., 1991. Arkhetip i simvol [Archetype and symbol]. Moscow (in Russ.). political discourse, mass culture, mimesis, redundancy, circulation Soghomonyan V. E. 54-62 10.5922/2225-5346-2018-4-5

• Mythologization of the city in the works of B. Schulz and F. Kafka

  ... spirituality of the city returns the author to the idea of the mythical alfa and omega of life. The article describes the image of the city-labyrinth which both authors associate with the motif of wandering whereas the cathedral is associated with the paternal archetype. 1. Белобратов А. В. Процесс «Процесса»: Кафка и его роман-фрагмент // Кафка Ф. Процесс (восстановленный по рукописям). М., 2006. URL: http://www....

• The myth as a source of cultural legitimation: the rock and hip-hop versions of the legend of Orpheus and Eurydice

  ... deconstructs the ancient mythological pre-text, which lays a foundation for aesthetic legitimation of rock and hip-hop lyrics and their inclusion in a greater cultural context. The study explores the forms of representation of Orpheus’s dual semantics as the archetypical poet and musician as well as of the general motifs of temptation/seduction and selling one’s soul. It is established that, perceived as a single source of meanings and plots, the myth encourages the musical and poetical culture of the 20th/early ...

• The Role of the Sublime in Kant’s Religion: Moral Motivation and Empirical Possibility

  ... 4) the image of Christ also acts as motivator by encompassing said trans­parency and standard in the idea of moral perfection. These four points show that the image of Christ functions in a dual manner. Points 1) to 3) address Christ as a prototype/archetype (Urbild) — awakening and making possible a moral redefinition of the subject — while point 4) addresses Christ as an example (Vorbild) — sustaining and entertaining the moral redefinition as a motivating model. Allison, H., 2001. Kant’s ...