Expressiveness in the theatre as a meaning-making technology and the role of gestures in its realization
... belles-lettres texts. The author attempts to prove that in heterogeneous discourse expressiveness manifests itself as a meaning-making resource responsible for the form-content fusion. The analysis is carried out on the basis of two different kinds of theatrical discourse: theatrical performance and public play-reading. The author turns to theatrical interpretations of the plays by Alexander Vampilov, Alexander Kazantsev, Natalya Sadur, and to two public readings of the play “A man from Podolsk” by Dmitry ...
