The role of Jean Chapelain in the development of French literary theory and criticism in the first half of the XVIIth century
... evolving, as well as his substantial contribution to the establishment and consolidation of classicist aesthetics on a national level. The article addresses the critic’s role in the development of literature, his influence on the formation of aesthetic taste, his mediation between the author and the audience, and the nature of the political engagement in literary creativity demanded by the time, as well as the relationship between the creator and power. Chapelain’s texts are examined in their entirety,...
Kant’s aesthetic theory in the light of H. G. Gadamer’s hermeneutic project
... distinguishes between aesthetic judgment and cognition, whereas Gadamer defines art as a method of cognition, an event that can become genuine under the condition of maximum of understanding. The author analyses the key categories of aesthetics — taste, play, and the beautiful. It is concluded that Kant understands the category of play from the perspective of the subject, whereas Gadamer interprets it as an instance of movement, independent from the observer. The correlation between Kant’s aesthetic ...
The problem of antinomy of pure theoretical reason in Kant’s system
... и Вольфа? // Кант И. Соч. : в 6 т. М., 1966б. Т. 5.
5. Кант И. Пролегомены…// И. Кант. Соч. : в 6 т. Т. 4 [1]. М., 1965
Key words: antinomy of pure reason, antinomy of practical reason, antinomy of taste, antinomy of reflective judgement, system of antinomies of the cosmological ideas of pure theoretical reason, thesis, antithesis and synthesis of the antinomy of pure reason
Kalinnikov L.
8-16
[html]1. Kant, I. 1964, Kritika chistogo razuma ...
