Transcultural russification of the Buddhist component in the religious and cultural utopia of the cycle “Eurasian Symphony” by I.A. Alimov and V.M. Rybakov
... theodicy), becomes a part of Russian sacred geography (the co-presence of Orthodox and Buddhist temples on the same land), generates a new, paradoxical idiomatics. The authors of the cycle “Eurasian Symphony” create a utopia of religious and cultural syncretism on the basis of transcultural interaction of religions in the guise of alternative history. At the same time, the main mode of narration in the novels of the cycle is the combination of a serious and ironic attitude to the created artistic ...
