Translation of postmodern terminology in the philosophical works by M. Foucault, J. Baudrillard, and J. Derrida
The article examines the specifics of the translation of postmodern philosophical terminology. The authors explore Russian translations of the works of the modern French postmodernist philosophers Michel Foucault, Jean Baudrillard and Jacques Derrida. Postmodernism as a philosophical movement is based on ...
Kononov’s “Tripartite Sibling”: Prerequisites for intertextuality
This article considers the correlation between N. Kononov’s short story and the literary pretexts. The authors stresses the connection between N. Kononov’s citation writing and the postmodernism worldview and literary strategies of postmodernism. The short story’s intertextual poetics is determined by the patterns of the author’s literary world. The identifies the structural and functional features of intertext in the “Tripartite ...
Elements of science fiction in the French postmodernist discourse: The case of B. Werber’s novel The Thanatonauts
This article presents an interdisciplinary study on text linguistics, lingu-o¬poetics, and narratology. It addresses the problems of modern science fiction discourse and analyses the ideas of the leading theorists of postmodernism — J.-F. Lyotard and J. Derrida — as well as those of scholars focusing on the sci-ence fiction discourse — T. Todorov and R. Lachmann. The practical material of the study is the works of the modern French postmodernist author Bernard ...
Semantic transformations in the secondary text (on A. Döblin’s fairy tale “Der Ritter Blaubart”)
... nature are mythologized in the secondary text, they become the full participants in the action, which gives the secondary text an exceptional fairy-tale intonation, bringing the secondary text to the folktales.
Alexeeva M. G., Kulakova V. V.
postmodernism, Alfred Döblin, Bluebeard, secondary text, semantic transformation, landscape descriptions
58-66
10.5922/pikbfu-2022-4-6
“Svetotomy” N. М. Kononov and Plato’s “The feast”: a dialogue of cultures
... flesh, “a feast during the plague”. The artistic images of the story are simulacra, attractive in appearance, but morally corrupted.
Kamalova A. A., Unguryanova E. A.
N. M. Kononov, Plato, dialogue, intertextuality, feasting narrative, Eros, postmodernism
67-76