Philosophy of images of nature in the “eastern” poems of G.G. Byron and “southern” poems of A.S. Pushkin
The images of nature in the poems of the two national geniuses are considered within the opposition of the horizontal/vertical, which is laden with philosophical and metaphorical semantics. Both poets show that, in the absence of spirituality, the true internal freedom sought by ...
The house in the plot structure of A. I. Podolinsky’s poem “Borsky”
The plot structure of the poem by a Russian author of the Pushkin era A. Podolinsi is characterised in comparison with the context of Russian Romanti-cism and the conceptual constants of Russian cultural consciousness. The au-thor identifies the function of the image of house ...
Syntactical means conveying the conceptual meaning of the poem Boring and sad by M. Yu. Lermontov: Article 1
This article considers the structural and semantic features of the M. Yu. Lermontov's poetic syntax and determines the role of mononuclear sentences in the formation of the general sense of the poem.
1.
Бабайцева В.
В
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Максимов Л.
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. Синтаксис. Пунктуация. М., 1981.
2.
Валгина Н.
С
. Синтаксис современного русского языка. М., 1973.
3.
...
The gallant style in the development of new Russian literature (I. Bogdanovich — N. Karamzin — I. Dmitriev)
... great stylistic influence on the Russian literature of the XVIII—XIXth centuries. «Natalia, Boyarskaya doch’» («Natalia, Boyar's daughter»), a story by N. M. Karamzin, was created under the decisive influence of «Doushen’ka» («Darling»), a poem by I. F. Bogdanovich, and absorbed the traditions of La Fontaine and Voltaire, becoming a model of the literary style for I. I. Dmitriev that he demonstrated in his fairy tale «Prichudnitsa» (“Dreamer”) and then for most Russian writers of ...
