Kant and “Seasickness” of Modernity
... Kant’s birth, just as it was a hundred years ago, Kantianism is simultaneously on the receiving end of the blows of history and attacks by rival philosophical parties, both progressivist and reactionary. The radical wings of both parties perceive modernity as a depressing, nauseating period which must be broken with by moving toward the past or toward the future. One of the most original and profound diagnoses of this attitude was offered by Hans Jonas, who discerned in radical doctrines of a ...
Interaction of comparative structures and their elements in modern russian prose
The article explores the interaction of comparative constructions in modern prose. The main objective of the study is to determine the types of interaction between metaphors and similes in the texts of modern Russian prose. The material of the study is the works of Buida, Vodolazkin, Ivanov, Ilichevsky, Matveeva, Pelevin,...
On endogenous and exogenous factors of Russian modernization
This paper considers the dynamics of different scientific opinions on the correlation between endogenous and exogenous factors in the choice of national modernization model. The authors formulate the question about the urgency of searching for the optimum in the choice between general and unique features for the construction of a more efficient modernization model.
1.
Алексеев В.
В., ...
The ‘Russian Poetic Speech — 2016’ Project as a Cultural Narrative of Modern Russian Poetry
This article presents a methodological description of the ‘Russian Poetic Speech — 2016’ narrative project aimed to identify, demonstrate, and study a cross-section of modern Russian poetry. The author addresses the foundations of the narrative project, its ideology, as well as its publication and promotion components. The article explores the mechanism for understanding and using the power of Russian poetry and addresses ...
A woman as seen by a man in modern Russian chanson
This article reconstructs the portrait features of a woman as presented in ’female’ modern Russian chanson. The authors emphasise the woman’s original self-perception as opposed to the way she is presented in chanson by a man. Such original features include a greater number of details in the ‘self-portrait’, orientation towards ...
