Linguistic creativity of the avant-garde: language functions in literary and advertising discourses
... discourse — the Russian literary avant-garde and the avant-garde advertising-propagandа — outreach. A discursive analysis of Russian literary (experimental) and advertising (avant-garde) texts is carried out from the standpoint of the theory of linguistic creativity. For each of the working subcorpora (artistic and advertising discourses of the 1910—1930s), the authors distinguish macro-discursive, micro-discursive and inter-discursive parameters that affect linguistic innovations at different levels ...
The dialogue between linguistics and the poetic avant-garde in Russia in the 1920—1930s: experiments with a universal language
... Internacionalisto. Ufa, 1, p. 3 (in Russ.).
Zolyan, S. T., 2016. Rethinking the correlations between language and genetic code. Voprosy Jazykoznanija [Topics in the study of language], 1. pp. 114—132 (in Russ.).
universal language, interlinguistics, linguistic creativity, poetic avant-garde, Jakob Linzbach, Gordin brothers
Sokolova О.V.
8-29
10.5922/2225-5346-2023-2-1
Interdiscursivity as a linguocreative appropriation of discourses: the avant-garde and Andrey Tarkovsky
...
Wagner, G., 1975. The novel and the cinema. New Jersey.
Yakimovich, A. K., 2018. Film Art Against Avant-Garde? On the Ontology of Artistic Means. Vestnik VGIK [Bulletin of Film Art), 2 (36), pp. 8—26 (in Russ.).
interdiscursivity, film discourse, linguistic creativity, discourse appropriation, avant-garde, Tarkovsky
Zykova I. V.
65-85
10.5922/2225-5346-2021-4-4
