Linguocognitive Bases for the Integration of the Poetic Text into Cinematic Discourse
... integrating poetic texts into the discourse of authorial cinema. It begins by examining the multifaceted interaction between cinema and poetry within contemporary artistic culture, framing author cinematography through the lens of the poetic concept. Intermediality and interdiscursivity are explored as intrinsic properties of cinema, serving as tools for shaping the unique style and aesthetics of filmmakers. Two films, “Stalker” by Andrei Tarkovsky and “Ugly Swans” by Konstantin Lopushansky,...
The intermedial features of Kazuo Ishiguro’s “musical short story” Nocturne
... atmosphere inherent to the nocturne, etc.), which, on the one hand, allow them to be identified with similar musical compositions, and on the other hand, reveal the literary and artistic originality of the “musical story” as such. The problem of musical intermediality and the specifics of its verbal organization in Ishiguro’s short story Nocturne allow for the characterization of a broader range of techniques for conveying the “musicality” of the text as a genre- and structure-forming feature.
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Digital poetry between the printed page and cinema: the difference in agency structures
... Concepts of ‘Topic’ and ‘Poetic World’. In:
Uchenye zapiski Tartuskogo gos. un-ta, Vyp. 365
[Scientific Notes of Tartu State University, iss. 365]. Tartu,
рр
. 173—167 (in Russ.).
mediology of literary text, transmedia translation, intermediality, digital poetry, poetry and cinema, bpNichol
Shvets A. V.
83-99
10.5922/2225-5346-2024-3-5
