Interdiscursivity as a linguocreative appropriation of discourses: the avant-garde and Andrey Tarkovsky
The article explores the category of interdiscursivity from a perspective of its realization in films. As a point of departure, the historical ties of the avant-garde and cinema are analyzed in terms of interdiscursivity. Literary and artistic works of the representatives of the Russian ...
Linguocognitive Bases for the Integration of the Poetic Text into Cinematic Discourse
... into the discourse of authorial cinema. It begins by examining the multifaceted interaction between cinema and poetry within contemporary artistic culture, framing author cinematography through the lens of the poetic concept. Intermediality and interdiscursivity are explored as intrinsic properties of cinema, serving as tools for shaping the unique style and aesthetics of filmmakers. Two films, “Stalker” by Andrei Tarkovsky and “Ugly Swans” by Konstantin Lopushansky, are selected as ...
Types and linguistic markers of interdiscursivity in film review texts
The article studies the problem of the text discourse structure using film reviews in German as an example. Various types of discourse relations are analyzed and linguistic markers of interdiscursivity are identified.
1.
Барт Р.
Избранные работы: семиотика. Поэтика. М., 1994.
2.
Земцова Л.
А.
Искусствоведческая рецензия как жанр массово-информационного ...
