You, you, you: second-person narrative in the “Invisible” by Paul Auster (2010)
... "Invisible" (2010). In its functioning, we study both the properties and functions previously noted by researchers (on other, earlier literary works), and new ones are highlighted: ‘Second-person narrative’ contributes to a more active immersion of the reader into the narrative world, creates immersion, shifts the focus to the reader as being "responsible" for choosing and evaluating what is happening. But it also distances him, instilling uncertainty in his own status, ...
