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... Son — 55”, November, 2020). The play and its multimodal interpretations are viewed as parts of a unique communicative space. These parts may be specified as the original communicative situation and the ‘derivatives’ characterized by semi­otic creativity of their authors — the playwright and the directors. The concept of semiotic resonance is used as a tool that can help to deepen the analysis of the meaning construction in the heterogeneous discourse of drama. Semiotic resonance is understood ...

... world is confronted with a series of global problems, exacerbated by technological advancements. In this context, concerns arise in the public consciousness regarding the potential of artificial intelligence (AI) to surpass humans in intellectual and creative activities. The topic of AI creativity becomes pertinent and sparks debates within the scientific community regarding its creative potential. In response to these challenges, members of the Club of Rome in 2018 propose the concept of a new Enlightenment ...

This article offers a comparative-historical analysis of the basic approaches to research on the creative abilities of a human being typical of Russian and international psychology. The author considers the reasons behind the development of conceptions and their influence on the trajectories of modern psychology. 1. Бердяев Н. А. Самопознание....

The article deals with the inconsistency of psychological creative thinking theories. This inconsistency is being related to inaccuracies in terminology. The authors offer a new approach to creative thinking as to an integrative characteristic of psychological activity, the highest level and indicator of thinking ...

... the text and in the context of the need to reconsider methods for studying the language of poetry. The possibility to decipher a poetic text is not embedded in it as an algo­rithm. The linguistic strategy of resisting the contemporary despotism of creativity results in the growing idiomaticity of both individual fragments of a poetic text and a text as a whole. Azarova, N. M., 2015. Fernando Pessoa‘s poetic bilingualism. Kritika i semiotika [Criticism and semiotics], 1, pp. 254—267 (in ...

... 280—288(in Russ.). Azarova, N. M., 2015b. On the Length of the Poetic Line, or Is It Possible to Forma­lize Corporeality in Poetry. Novoe literaturnoe obozrenie [New Literary Review], 135 (5), pp. 28—36 (in Russ.). Azarova, N., 2019a. Novelty without creativity. Vozdukh: zhurnal poezii [Air: Poet­ry Magazine], 39, pp. 307—313 (in Russ.). Azarova, N. M., 2019b. Strategies of Novelty in the Poetic Language — System Changes. Trudy Instituta russkogo yazyka im. V. V. Vinogradova. Vyp. 19: Materialy ...

The article analyzes H. Ch. Andersen’s works, published in Russian in 2016 under the title “The Forgotten Stories of Hans Christian Andersen”. Their content and poetics are considered at the background of the writer’s creative evolution. The authors studies the reasons that determined the incompleteness of a number of works, and the circumstances that prompted the author to refuse to publish completed texts. “The Forgotten Stories” become the source for analyzing ...

... philosophers point out that the justification of man is possible only in form of the justification of humanity and not as for Berdyaiev in form of the justification of personality. But Gordin uses Soloviev’s concept of all-unity and Berdyaiev’s concept of creativity in order to “improve” Cohen’s conception and to reveal the contribution of a person to the justification of humanity. Stronger as Cohen Gordin connects the programm of anthropodicy with individuality and underlines the participation of ...