Baroque music: the aesthetic and social ideals
This article analyses the evolution of aesthetic ideals of baroque as the reflection of changes that took place in social consciousness. The author formulates the content standards of aesthetic ideal of baroque music and focuses on the history of spread of baroque music in East Prussia in the 17th century.
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Anagrams in the discourse of baroque ‘tacit theology’: The case of the Königsberg poetic circle of the 17th century
The problem of anagrams is linked to the paradigm secret of baroque poetry. It is shown that the essence of this poetry is a special type of poetic mimesis reflecting the existential and ontological fracture of being, which manifests itself in the lyrical persona of the poetic subject. Anagrams of the names of ...
