Hierarchic representation of the category of “memory” units in German autobiographical texts
... Frankfurt a/M., 1983.
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Kästner E.
Als ich ein kleiner Junge war. B., 1977.
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Lehwald F.
Meine Lebensgeschichte. Frankfurt a/M., 1980.
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Mann K.
Der Wendepunkt. Ein Lebensbericht. B., 1979.
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Lebenserinnerungen
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Bondareva L. M., Molchanova A. S.
autobiography, category “memory’’, semantical value, structure with hierarchical organization
13-18
Genre specificity of V. Maksimov’s novel “Farewell from Nowhere”: to the problem of spiritual tradition
The article analyses the genre of the autobiographical novel by Vl. Maksimova in the context of the spiritual tradition and in connection with the typology of literary heroes. The study reveals closeness of the novel-confession “Farewell from Nowhere” to the semantic form of “confession-deed” (M. Bakhtin), embodied in the ancient Russian “Teachings” by Vladimir Monomakh. The type of hero-protagonist is determined by the spiritual movement he makes along the path of personal repentance and gaining...
The science of love and a classical university: Nikolay Kononov’s short story ‘Anastasia’s Amnesia
Based on N. Kononov’s short story ‘Anastasia's Amnesia’ (1999), this article considers the isomorphism between the conceptual field of ‘university’ and the core of the author’s conceptual system. The language game with the names of disciplines — philology, physics, medicine — reduces them to a science of love with a focus on the concepts of ‘ego’ and ‘body’. The article explores the role of intertextual references to A. S. Pushkin’s ‘Eugene Onegin’ and shows that the implicit and explicit names of...
The body in the autobiographical portrayal in “Mademoiselle’s Memoirs”
... 308—324.
8. Craveri B. L’àge de la conversation. P., 2002.
9. Garapon J. La culture d’une princesse. Ecriture et autoportrait dans l’oeuvre de la Grande Mademoiselle (1627—1693). P., 2003.
10. Garapon J. La Grande Mademoiselle mémorialiste. Une autobiographie dans le temps (Thèse de IIIème Cycle, Paris IV, 1986). Genève, 1989.
11. Grand dictionnaire universel du XIX siècle: français, historique, géographique, mythologique, bibliographique, litteraire, artistique, scientifique etc. : en ...
The form and meaning of H. Hesse’s novel A child’s soul
The fictional world of the work is considered as one marked by binary oppositions of nature/civilisation, the world of children/adults, the ideal/the reality, the truth/a lie, fear/bravery, judgement/absolution, God/devil. The authors analyse the psychology of the novel’s main character. The central autobiographical image of the novel is interpreted in the context of religious and philosophical ideas about the duality of human nature and is connected to the features of adolescent psychology and age-related...