Transformation of Dovid Knut’s poetics: A quantitative study of metaphors
... poetics. His early poems were inspired by avant-garde experiments, but during the 1920s and 1930s, he reoriented himself toward a more traditional poetry, characteristic of the “Parisian Note” of Georgy Adamovich and the “Perekrestok” circle of Vladislav Khodasevich. The periodization of Knut's work, the distinctive features of his poetry collections, and the continuity between them are established using quantitative methods. To accurately compare the collections, their metaphors were counted, classified,...
