Formalism in cinema: The case of Dziga Vertov (Kinopravda)
... identifies the theoretical and metho¬dological principles behind the development of documentary films in post-Revolutionary Russia, as well as the principles of film text and the correlation between the visual imagery and the text. The role of Dziga Vertov in this process is emphasised. The author proves that Ver¬tov forestalled the development and organisation of modern news.
1. Арватов Б. Агит-кино и кино-глаз // Кино-журнал А. Р. К. 1925. № 8.
2. Аронсон ...
