The category of pity in «The Great Divorce» by C.S. Lewis and «The Lord of the Rings» by J.R.R. Tolkien
The article analyzes the main features of the category of pity in the texts of two inklings — C. S. Lewis and J. R. R. Tolkien in the context of the ethical binary opposition of “good and evil”. This binary opposition is not randomly chosen: Lewis wrote “The Great Divorce” in order to refute the famous artistic idea of William Blake about a ...
J.R.R. Tolkien and C.S. Lewis in search of the criterion of artistry
The article examines the aesthetic aspect of the artistic pursuits of famous English philologists and writers of the 20th century, Clive Staples Lewis and John Ronald Reuel Tolkien, based on their literary-critical works, essays, and fictional texts. In particular, the article traces the search for a criterion of artistry in the works of these authors. The relevance of this study is determined ...
The four loves in C.S. Lewis’s novel “Till we have faces”10.5922/vestnikpsy-2025-2-6
The article explores the artistic embodiment of the four types of love that C. S. Lewis discusses in detail in his treatise The Four Loves and in his mythological novel “Till We Have Faces”. Given the centrality of the theme of love in the novel, it is reasonable to assume that in this 1956 work, the author was already artistically ...
Lexical and grammarical characteristics words with the root рыж- (red-) in the poetry of the first third of the XX century
... figurative-semantic units composed of several linguistic elements. The findings may be of interest to literary scholars researching the works of Russian poets of the Silver Age and may also be applicable in the practice of lexicography.
C.S. Lewis, the four loves, mythological novel, Cupid and Psyche, plot
41—50
10.5922/vestnikpsy-2025-2-4
