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The positions of Christian Wolff and Im­manuel Kant on the possibility of proving the existence of God require some examination. Wolff’s critique of the physical-theological proof and his proposed ways of improving it are here analysed. God is central to Wolff’s philosophical system and the fundamental prerequisite of his theoretical and practical ...

The article explores lexemes stemming from Rus. бог- (god), which were used in the texts of the XV—XVII centuries. This stem expressed the concept of God and was used as a means of characterization of objects, phenomena, etc. The material of the analysis was taken from the texts of the XV—XVII centuries,...

The tragedy Boris Godunov occupies a unique place in A. S. Pushkin’s oeuvre. It was a turning point, when the author needed the whole power of his poetical genius, when a work beyond traditional literary and aesthetic styles, which interchange and establish a canon of a new style that transforms its predecessors in an act of creativity, appeared in Russian culture. Boris Godunov marked the birth of an individual author’s style in Russian art. A unique literary world — the world of Pushkin — manifested...

Kant’s deduction of the Christian doctrine of justification, respectively the doctrine of grace, leads to the question in what sense philosophy can deal with God’s grace without falsely replacing it with its own arguments. Kant’s answer (a) is that the imputation of evil without attempt to justify it by means of one’s own resources requires thinking of God as the external judge in the internal court ...

This article considers the use of the Vladyka lexeme to denote God the Father, Jesus Christ, and human rulers in the Ostromir Gospels with a Greek translation. The author analyses the semantics of the Church Slavonic lexemes as an equivalent to the paired Greek words, the way the matching Greek lexemes were selected,...

... the Byzantine image of Paraklesis into the Intercessor iconographic type of Russian icon painting. By examining the image in more recently painted icons, the author produces its first full description and introduces the 19th-century icon ‘Mother of God the Intercessor of the Deesis row’ from the collection of the Kaliningrad Regional Museum of History and Art. The results of the analysis suggest that the Intercessor type of Marian iconography is characterised by a full- or half-length image, showing ...

... epistemological conditions for theology. Four intellectual backgrounds of objections are examined: an Aristotelian and Thomistic teleological order of nature (1); Augustinianism based on original sin in which human agency is completely attributed to God’s grace (2); a Hegelian critique of the deontological conception of an “unconditional ought” which also puts Kant’s postulate of the existence of God into question (3); the combination in Radical Orthodoxy of a postmodern critique of the subject,...

This article considers the depiction of the church procession to examine the literary inter­pretation of time and eternity in Alexander Pushkin’s historical drama Boris Godunov and Ivan Shmeleff’s novel The Year of the Lord. The two texts share fundamental similarities in literary images. The church procession is portrayed as a manifestation of eternity in the tan­gible reality of this world. Despite their common temporal nature, images in Boris Godunov and The Year of the Lord differ in terms of...

... the main character in the textual space of the novel. I prove that, at the ideational-thematic level, the principle of fragmentarity is manifested in the novel in the form of a series of antithesis themes and binary oppositions (peace/war, life/death, god/evil, love/hate, faith/disbelief, God/devil), which reveal the author’s worldview and integrate semantically different dimensions of the novel — subjective, psychological, moral, philosophical, and fictional ones. These oppositions emphasise the ...

The article studies the onomastic space of the science fiction trilogy “People as Gods” by the Soviet science fiction writer of the second half of the 20th century. Literary abionyms related to the habitats of the heroes of the work are in the focus of the research. It is noted that the space objects of the solar system in the novel ...

... judgment in his third Critique, with their principle fortuitous purposiveness, can be considered as the basis for a new foundation of metaphysics. According to Kant’s limitation of cognition to the realm of sense intuition, theoretical knowledge of God, the subject, things-in-themselves, transcendental ideas is impossible. This leads to a kind of “negative theology” of the highest principle and the supersensible as a whole. The reasons are rooted in the character of propositional thought, which ...

... investigated in pragmatism; secondly, with regard to the various pragmatic approaches to religion, something which has been long overlooked. These approaches are best understood as innovative re-readings of Kant’s postulates of freedom, immortality, and God. Since Hilary Putnam pointed out — in his 1992 book Renewing Philosophy — that James’s essay, “The Will to Believe”, in spite of having received a great deal of hostile criticism, is in “its logic, in fact, precise and impeccable”, James’s ...

Poems devoted to Kant give different poeticalphilosophical interpretations of both the personality of philosopher and his teaching on God and human being. In his poems about Kant, poet Alexander Kushner demonstrates theological agnosticism, which correlates with Kant’s own theories. In the poem Kant's Mask and the aphorisms Kant Unmasked, Vl. Mikushevich addresses Kant’s attitude ...

Evaluative lexemes with the “good/kind” semantics representing the concept of “god” are considered on the basis of Old Russian texts of the 11th—14th centuries. The author analyses the semantic features of the functioning of these lexemes. Список сокращений   Девг. деян. — Девгениево ...

... the essence and is understandable for oneself, in other words, resistant to any claims of idealistic philosophy.The author believes that Rosenzweig arrives at the conclusion that nothing can be known about a human just as nothing can be known about god.An analysis of general architectonics of The Star of Redemption emphasises the central position of the theme of revelation. Rosenzweig stresses that the central position of revelation relates to the notion of freedom.The author believes that Rosenzweig ...