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... internal monologue (AAIM). AAIM is the object of rare research in linguistics due to loss the features of natural inner speech. They are transformed into the content of the AAIM. Scientific interest to AAIM lies in its writing style, manner of expressing Chekhov’s individual style. The linguistic features of the narrator and the character distinguish the verbal-analytical, subject-analytical and impressionistic internal monologues in Anton Chekhov’s stories 1880— 1903. Structural, semantic and functional ...

The universally recognized position in both Russian and global Chekhov studies is that the artistic detail, as a linguistic-poetic device, micro-image, a means of conveying factu­al/con­ceptual/subtextual information, is a particularly significant feature of Chekhov's idio­lect. The aim of this article is to identify ...

This article examines the social and cultural conflict, the essence of which lies in the opposition of the intellectual and the boor in Chekhov's play “The Cherry Orchard” and in S. Mrożek play “Tango”. The comparative analysis of the works reveals the national, historical and social specificity of the conflict between the intellectual and the boor in the context of the crisis ...

Nikolai Kononov first published his story ‘Ceylon Island’ under the pen-name Alexander Chekhov (the name of Anton Chekov’s brother). This article explores the author’s literary mystification strategy as an element central to the poetic nature of ‘Ceylon Island’, its intertextuality, and its stylistic ‘set­tings’. The receptive ...

This article traces the influence of A. P. Chekhov's short story The Darling on the short story Anise by Simin Daneshvar, a contemporary Iranian writer, translator of Checkhov's works into Persian. 1. Яхьяпур М., Карими-Мотаххар Дж . «Двойник» Ф. ...