Linguopoetics of A.P. Chekhov: ensemble of artistic details. Part 1
The universally recognized position in both Russian and global Chekhov studies is that the artistic detail, as a linguistic-poetic device, micro-image, a means of conveying factual/conceptual/subtextual information, is a particularly significant feature of Chekhov's idiolect. The aim of this article is to identify ...
Existential dimension of fear in Anton Chekhov’s short story “Fear”
The article examines the antinomic nature of the existence of fear in Anton Chekhov’s works, with particular attention to the short story “Fear”. The methodological framework combines the principles of New Criticism — treating the literary text as a self-sufficient structure featuring an unreliable narrator — with ...
