The multi-language coding and anagrammatic foundations of the “Venice text” in Yu. Buida’s short story “All the floating by”
This article examines the use of a multi-language anagrammatic code in Yu. Buida’s works. The authors identify the anagrammatic foundations of the “Venice text” in the shorty story “All the floating by” from the collection The Prussian Bride. It is shown that the core of the system is the anagrammatic variation of the words Венеция / невеста и море / amor / mors. The matrimonial and funeral semantics of the night boat rides of ...
