Semiotics of ‘the new Soviet man’ concept in the works of the Strugatsky brothers: from the “Noon Universe” to the “Doomed City”
The article attempts to reconstruct the genesis of the concept of the ‘new Soviet man’ within the framework of communist ideology. An interdisciplinary research perspective enables an analysis of the development of the concept of the ‘Soviet man’ at the intersection of linguistics and history, viewed through the lens of the literary ...
