Velimir Khlebnikov’s poem “Vam”: context, intertext, ekphrasis
... analysis of the poem “To You”, but also on a broader contextual reading of Khlebnikov’s works, along with documentary sources such as letters from his relatives (father, mother, and sister). The findings make it possible to trace Khlebnikov’s text to its connections with both Russian and world literature and art.
Velimir Khlebnikov, Kuzmin, travel, diary, intertext, ekphrasis
8-23
10.5922/2225-5346-2025-4-1
Visual language of the city: a case study of the visual perception of third places (the case of Nizhny Novgorod)
The article is devoted to the study of the pragmatic aspects of visual communication in the modern urban environment. The physical objects of the city are interpreted as a text aimed at transmitting specific information to its residents. The research focuses both on the processes of meaning-making—based on the interaction of various semiotic resources such as colour, imagery, graphic design, texture, and verbal signs—and ...
The Buddhist concept of “Consciousness-Only” in Victor Pelevin’s novel “Omon Ra”
... circular composition captures the protagonist’s endless journey within the cyclical movement of the illusory world of saṃsāra, while the open ending suggests the possibility of the hero’s liberation.
V. Pelevin, Buddhism, buddhist text, illusory, “Consciousness-Only”
88—99
10.5922/vestnikpsy-2025-2-8
“Interrupted Flight” by V. Vysotsky: to the question of the title
... question of the existence of alternative titles in the song’s textual history, their origins and textual status, the source of the title “Prervannyi polet”, and the reasons for its eventual textual consolidation. The creative history of the text is traced based on surviving manuscripts, authorized typescripts, and materials from audio archives. The study reveals that at different stages in the song’s history, the author used various titles for it; a number of non-authorial titles are ...
