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<doi_batch xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xmlns="http://www.crossref.org/schema/5.3.1" xmlns:jats="http://www.ncbi.nlm.nih.gov/JATS1" xmlns:fr="http://www.crossref.org/fundref.xsd" xmlns:ai="http://www.crossref.org/AccessIndicators.xsd" version="5.3.1"><head><doi_batch_id>NONE</doi_batch_id><timestamp>20260602214956617</timestamp><depositor><depositor_name>Immanuel Kant Baltic Federal University</depositor_name><email_address>no-reply@journals.kantiana.ru</email_address></depositor><registrant>Immanuel Kant Baltic Federal University</registrant></head><body><journal><journal_metadata><full_title>Slovo.ru: Baltic accent</full_title><issn media_type="print">2225-5346</issn><issn media_type="electronic">2686-8989</issn></journal_metadata><journal_issue><publication_date media_type="print"><month>06</month><day>02</day><year>2026</year></publication_date><journal_volume><volume>1</volume></journal_volume><issue>1</issue></journal_issue><journal_article publication_type="full_text"><titles><title>Editors′ Preface</title></titles><contributors><person_name sequence="first" contributor_role="author"><given_name>Boards</given_name><surname>Editorial</surname></person_name></contributors><publication_date media_type="print"><month>06</month><day>02</day><year>2026</year></publication_date><pages><first_page>1</first_page><last_page>1</last_page></pages></journal_article><journal_article publication_type="full_text"><titles><title>Linguistics in the 21st Century: Problems, Prospects, and Growth Points</title></titles><contributors><person_name sequence="first" contributor_role="author"><given_name>V. 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Based on earlier literary studies of the synthetic art phenomenon and its relevant methods, the authors set a theoretical and analytical framework for this research. The object of the study is verbal and musical subtexts, each performing a meaning-construction function. The difference between the performed and written texts is significant from the perspective of the capacities of meanings. However, the performed and written variants of the same text are equivalent. The study of variations in A. Bashlachev’s texts is based on comparison and meaning-based correlation between subtexts. The article examines A. Bashlachev’s late works linked by the cross-cutting theme of poetry and the Poet. A. Bashlachev’s vision of the Poet’s mission and life tragedy and an inevitable conflict between the Poet, on the one hand, and the authorities and the crowd, on the other. Ideational components set a framework for a correlation analysis of variations in A. Bashlachev’s texts. 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P.</given_name><surname>Trenikhina</surname></person_name></contributors><jats:abstract><jats:p>This study deals with the method of ‘leftist obscenity,’ which emerged within left art in the early Soviet period. The article aims to define this method, describe its procedures, and identify the purpose it served at the time. The author assumes that ‘leftist obscenity’ arose within pro-Soviet art, when the Soviet government was seeking legitimation, which was impossible without discrediting the imperial regime. ‘Leftist obscenity’ was intended to discredit the imperial regime and to give a new perspective on the imperial heritage. The method aimed to diminish and ridicule that heritage. This was achieved by causing ‘high’ (objects of religious worship or imperial power) and ‘low’ (objects relating physiological processes or sexuality) phenomena to collide within the same space or image. 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