Philology, pedagogy, and psychology

2015 Issue №8

The vegetative code in Nikolai Kononov’s short story “Ansatasiya’s Amnesia”

Abstract

The second article of the series considers the role of the vegetative code in conveying the core of N. Kononov’s hidden semantic system, namely, the de-velopment of the dual and the plural from the singular I (ego). The paronymy between the Russian koren (root) and the English corn makes it possible to progress to the Russian ovyos (oats), which represents this development in different linguistic transformations. It is shown how the description of the vegetative cycle of oats (or the singularity/duality and plurality of subjects) is used to develop a time continuum, i. e. the year circle. The generation mechanism is opposed to the process of fragmentation and the identification of enti-ties and temporal intervals, which results in the instability of their ontological status. Everything becomes fiction. The article considers the forms of the au-thor’s presence in the system of hidden codes.

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The numerological code in Nikolai Kononov’s short story “Tripartite Sibling”

Abstract

Based on N. Kononov’s short story, this article analyses the numerological code relating to the generation of the plural from the singular I (ego). An increase in the number of objects is accounted for by the dynamic equation N = N+1. The author examines both the visible and hidden techniques of the code representation based on the game possibilities of the language and intertextual references.

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Kononov’s “Tripartite Sibling”: Prerequisites for intertextuality

Abstract

This article considers the correlation between N. Kononov’s short story and the literary pretexts. The authors stresses the connection between N. Kononov’s citation writing and the postmodernism worldview and literary strategies of postmodernism. The short story’s intertextual poetics is determined by the patterns of the author’s literary world. The identifies the structural and functional features of intertext in the “Tripartite Sibling” short story, as well as its role in the poetic whole of the work.

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