The formation of the narrative and the performative in public communication
... factors associated with the system of public communications, to which the author is exposed, and a multitude of reasons that reflect in his or her mind external processes. All these factors and influences transmute in the course of text creation; the viewer/reader consumes ready-made information, which invariably bears an imprint of the author's habitus. When creating a text, the author conveys his or her desires and expresses his or her attitude to the chosen problem. This study aims to answers ...
Audiovisual translation and reception
... trp_2_2009/chapters/gambier. pdf [Accessed 15 September 2018].
Jiménez-Crespo, M. A., 2017. Crowdsourcing and Online Collaborative Translations. Amsterdam/Philadelphia: John Benjamins.
Kovačič, I., 1995. Reception of subtitles. The non-existent Ideal viewer. Translatio (Nouvelles de la FIT/FIT Newsletter), 14(3—4), pp. 376—383.
Künzli, A. and Ehrensberger-Dow, M., 2011. Innovative Subtitling: A Reception Study. In: C. Alvstad, A. Hild and E. Tiselius, eds. Methods and Strategy of Process Research....
The inclusive function of translation in the digital space of a modern museum
... user with the opportunity to discover masterpieces of world art. In the context of the pandemic, virtual museum visits have become especially relevant. The implementation of principles of accessibility and inclusion among foreign-speaking tourists / viewers requires museums and galleries to adapt exhibition texts and labels linguistically and culturally. The purpose of this study is to describe translation functions in a museum on the labels for exhibits presented on the Artefact digital platform ...
Literary communication: from semiotic models to a theory of linguistic aesthetics
... emphasis is laid on the models of the sign and the corresponding models of semiosis in relation to literary systems. The concept of literary communication is given a new definition; it refers to the interaction of the author as an artist and the reader (viewer, listener) through a message or an utterance as a work of art. A correlation is established between the structure of the literary sign and the structure of the act of literary communication. The linguo-aesthetic model of artistic communication ...
Lexemes with the stem –БОГ- (GOD) in hagiographic texts of the 15th—17th centuries
....pushkinskijdom.ru/Default
. aspx?tabid=2070 [Accessed 5 September 2018] (in Russ.).
Belyaev, A. E., ed., 1904. Jitie protopopa Avvakuma, im samim napisannoe [Life of Protopopus Avvakum, written by him]. Saint-Petersburg. Available at:
https://dlib
. rsl.ru/viewer/01003718646#?page=1 [Accessed 5 September 2018] (in Russ.).
Kadlubovskiy, A. P., 1902. Ocherki po istorii drevnerusskoy literatury zhitiy svyatykh: 1—5 [Essays on the history of ancient literature of the lives of the saints: 1—5]. Warsaw....
From ekphrasis to autobiography (Nikolay Kononov’s story “Svetotomia”)
... энциклопедия : в 2 т. 2-е изд. / гл. ред. С. А. Токарев. М., 1987. Т. 1. С. 132—136.
10. Плеяды // Энциклопедический словарь Брокгауза и Ефрона. URL: https:// dlib.rsl.ru/viewer/01003924214#?page=429 (дата обращения: 05.04.2018).
11. Росси Г. Рождение и особенности культа Афродиты. URL:
http://www
. globalfolio.net/monsalvat/kittim/012aphrodite/afro4.htm (дата обращения: ...
The Art of «Leftist Obscenity» as a Way to Discredit the Imperial Regime: the Works of Eisenstien, Babel, and Lunacharsky
... ‘The Road.’ The analysis of these works shows how the method of ‘leftist obscenity’ was employed in practice and leads to the conclusion that the method worked by producing a comic effect, which is easily communicated to the modern reader or the viewer.
1. Arvatov, B. 1923. Theatrical perfumery and left indecency. Zrelishcha [Spectacles], 31/32, p. 7.
2. Babel', I., 2005. Road. In: I. Babel'. Sobranie sochinenii. T. 1. [Collected works. Vol. 1]. Moscow.
3. Il'inskii, I., 1961. Sam o sebe [About ...