Genius as a norm or the Moravian Church in the life and works of A. A. Fet
Based on the theory of genius presented in Kant’s Critique of Judgement, the author considers the idea of normal genius as opposed to the genius of Romanticism and Postmodernism. The influence of Postmodernism is manifested in popular interpretations of the works of great ...
Conceptual opposition Soul-Body in N. Kononov's "Eugenia’s Genius": levels of explicit and implicit semantics
The author explores the conceptual opposition Soul-Body in N. Kononov's story «Eugenia’s Genius". The opposite members of the dichotomy Soul-Body have different forms of linguistic representation. The concept Body is expressed explicitly, whereas Soul is often implicit. Being related to each other, they form an inseparable binom as opposite ...
The role of intertextuality in the formation of the opposition soul-body in Nikolai Kononov's «Eugenia's Genius»
The authors examine intertextual links between N. Kononov's story «Eugenia's Genius» (1998) and the myth of Cupid and Psyche from Apuleius «Metamorphoses, or The Golden Ass» by Apuleius, »Light breath» by I. A. Bunin and Roman M. Kundera's «The Unbearable Lightness of Being». The authors explore the role of these relations ...
Der Einfluss Kants auf das philosophische Denken in Russland
The text is devoted to the influence of Kant’s personality and philosophical ideas on the Russian thought. Kant considered as the great philosopher, who was the bright spokes of German spirit, the creative genius and genius loci of Königsberg, which has been the town of dramatic historical fate.
1. Абрамов А. И. Кант в русской духовно-академической философии // Абрамов А. И. Сборник научных ...
Non-translation as palimpsest in hermetic poetry
... codes in the poetry of Alexei Parshchikov. In: Figury intuicii: poetika Alekseya Parshchikova [Figures of intuition: poetics of Alexei Parshchikov]. Moscow, pp. 71—81 (in Russ.).
The Beatles. Lucy in the Sky with Diamonds. Available at:
https://genius.com/
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Yampol'skii, M., 2001. O blizkom (Ocherki nemimetichskogo zreniya) [About Close (Essays on Non-Mimetic Vision)]. Moscow.
Zaharkiv, E., 2019. hiroo onoda. Greza. ...
Experimental deixis in the space of poetic text
... definiteness-indefiniteness in the Slavic and Baltic languages]. Moscow, pp. 90—117 (in Russ.).
Kovtunova, I. I., 1986. Poeticheskii sintaksis [Poetic syntax]. Moscow (in Russ.).
Levinson, S., 1983. Pragmatics. Cambridge.
Perloff, M., 2010. Unoriginal Genius: Poetry by Other Means in the New Century. Chicago, London.
Proskurin, S. and Feshchenko, V., 2019. Voice and bodily deixis as manifestation of performativity in written texts. Semiotica, 227, pp. 317—334,
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10.1515/sem-2017-0133....
Cultural code of the city
... urban environment: a) nature and climate, b) texts, where the city is conceptualized and presented in literary context, c) historical events associated with the city, d) spatial characteristics, e) symbolic relationship with famous individuals (“geniuses of place”). The process of coding is influenced by other features of the city, which form economic, culinary, tourist, digital and other codes of the city, and their decoding can be carried out both on the everyday level and on the expert ...
Language and the nature of humanness. Invitation to a discussion
...
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Chaser: Unlocking the genius of the dog who knows a thousand words.
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Raimondi, V., 2019. The bio-logic of languaging and ...
On the Pushkin text in the poetry of Perestroika
... the symbolism of his name, which turned into somewhat of a common noun used to refer to any poet. The predominance of allusions to quotes in references to Pushkin points to the desire of perestroika poets engage in an equal dialogue with the national genius. At the same time, the Pushkin text becomes for them the point at which the semantic perspective of both a concrete poetic utterance and poetry as a whole is refracted.
Arabov, Y. N., 1997. Mekhanika sudeb [The mechanics of Fate]. Moscow ...
Pushkin as a personal myth of the Russian avantgarde
... new literature. In developing his theory of the shift, Kruchyonykh views Pushkin as a ‘sound-poet’. That analytical position made it possible to move from dismissing him as ‘a deaf singer’ to the avant-gardist glorification of Pushkin as a genius who worked with the sound texture of the poem. Kruchyonykh demonstrates that for Pushkin the shift is a powerful semantic generator of poetry, a tool that makes an error ‘the rule of breaking rules’: semantic deviations turn into neologisms,...
Kant’s influence on Russian thought
This articles sets out to give an overview as to how Russian thought was influenced by the ideas and personality of Kant — a bright exponent of German spirit, the genius loci of Königsberg — a city of calamitous history.
1. Абрамов А. И. Кант в русской духовно-академической философии // Абрамов А. И.
Сборник научных трудов по ...
The "aesthetic turn": from Kant and romanticism to modern philosophy
... article is devoted to the origins of the "aesthetic turn" in contemporary philosophy and the increasing importance of aesthetic categories and art experience for contemporary theories. Kant’s aesthetics, concepts of beauty, the sublime, genius, as well as various aspects of their interpretation within the romantic doctrine of "new mythology" and aestheticisation of life, the discovery of a fragment as a way of poetic thinking became topical in contemporary debates about reality,...
Kant’s fundamental idea of state and law in Pushkin’s Boris Godunov
The tragedy Boris Godunov occupies a unique place in A. S. Pushkin’s oeuvre. It was a turning point, when the author needed the whole power of his poetical genius, when a work beyond traditional literary and aesthetic styles, which interchange and establish a canon of a new style that transforms its predecessors in an act of creativity, appeared in Russian culture. Boris Godunov marked the birth of an individual ...
Philosophy of images of nature in the “eastern” poems of G.G. Byron and “southern” poems of A.S. Pushkin
The images of nature in the poems of the two national geniuses are considered within the opposition of the horizontal/vertical, which is laden with philosophical and metaphorical semantics. Both poets show that, in the absence of spirituality, the true internal freedom sought by the main characters cannot ...
A testimony of the First World War: Käthe Kollwitz’s cycle War (1922—1923)
... Current gender studies make it possible to interpret K. Kollwitz’s works as a historical source for reconstructing the memory of the war.
1. Bohnke-Kollwitz J. Käthe Kollwitz. Die Tagebücher 1908—1943. München, 2007.
2. Comini A. Gender or Genius? The Women Artists of German Expressionism // Feminism and Art History. Questioning the Litany / ed. N. Broude, M. D. Garrard. N. Y., 1982.
3. Friedrichsmeyer S. “Seeds for the Sowing”: The Diary of Käthe Kollwitz // Arms and the Woman: War ...
The ‘Faust zone’ in the works of Goethe and Pushkin
...
7. Propper von, М. Goethe und Puschkin — Wahrheit und Legende // Goethe. Neue Folge des Jahrbuchs der Goethe-Gesellschaft. Zwölfter Band. 1950. Weimar, 1951
Gilmanov V., Koptsev I.
Faustian motif’, Faustian archetype, Pushkin’s poetic genius, Christian essence of poetry, ‘Faust zone’.
65-71
Brothers “in the fifth season of the year, the sixth sense and the fourth dimension”: the space of heaven in the poetical world of M. Tsvetaeva
... Избранные труды : в 3 т. М., 1997. Т. 2 : О стихах.
5. Рильке Р. М., Пастернак Б., Цветаева М. Письма 1926 года. М., 1990.
Krysanova A.
Tsvetaeva, space, heaven, God, mountain, divine youth, poet, Genius
128-134
Genius and Politics
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2. Плетнев П. А. Из переписки с Я. К. Гротом // Пушкин в воспоминаниях современников. СПб., 1998.
3. Пушкин А. С. Полн собр. соч., 1837—1937 : в 16 т. М. ; Л., 1937—1959. Т. 12.
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Tarasov F.
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