Structure and functions of author’s account of internal monologue in Anton Chekhov’s stories 1880―1903
... internal monologue (AAIM). AAIM is the object of rare research in linguistics due to loss the features of natural inner speech. They are transformed into the content of the AAIM. Scientific interest to AAIM lies in its writing style, manner of expressing Chekhov’s individual style. The linguistic features of the narrator and the character distinguish the verbal-analytical, subject-analytical and impressionistic internal monologues in Anton Chekhov’s stories 1880— 1903. Structural, semantic and functional ...
Linguopoetics of A.P. Chekhov: ensemble of artistic details. Part 1
The universally recognized position in both Russian and global Chekhov studies is that the artistic detail, as a linguistic-poetic device, micro-image, a means of conveying factual/conceptual/subtextual information, is a particularly significant feature of Chekhov's idiolect. The aim of this article is to identify ...
The conflict of the intellectual and the boor in the plays by S. Mrożek “Tango” and A. Chekhov “Cherry orchard”
This article examines the social and cultural conflict, the essence of which lies in the opposition of the intellectual and the boor in Chekhov's play “The Cherry Orchard” and in S. Mrożek play “Tango”. The comparative analysis of the works reveals the national, historical and social specificity of the conflict between the intellectual and the boor in the context of the crisis ...
Nikolai Kononov’s ‘Ceylon Island’: the poetics of mystification
Nikolai Kononov first published his story ‘Ceylon Island’ under the pen-name Alexander Chekhov (the name of Anton Chekov’s brother). This article explores the author’s literary mystification strategy as an element central to the poetic nature of ‘Ceylon Island’, its intertextuality, and its stylistic ‘settings’. The receptive ...
A. P. Chekhov and S. Daneshvar: On the problem of influence
This article traces the influence of A. P. Chekhov's short story The Darling on the short story Anise by Simin Daneshvar, a contemporary Iranian writer, translator of Checkhov's works into Persian.
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Vivos Voco. Post-war Correspondence between Sergey Hessen and Ivan Lapshin: Year 1946
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Barsova, L. G., ed. 2006. Neizdannyi Ivan Lapshin [The Unpublished Ivan Lapshin]. St. Petersburg: St Petersburg Theatre Arts Academy Press.
Berdyaev, N. A., 1924. Novoe srednevekovie [The New Middle Ages = The End of Our Time]. Berlin: Obelisk. (In Rus.)
Chekhov, A. P., 1914. Pis’ma A.P. Chekhova [Letters by A. P. Chekhov]. Volume 4: 1892—1896. Edited by M. P. Chekhova. Moscow: Knigoizdatel’stvo pisatelei. (In Rus.)
Danilkina, N. V., 2007. Sergey Hessen and His School in Poland. In: V. I. Povilaitis,...
Pushkin texts in the description of characters by Dostoevsky and Nabokov
... proizvedeniyakh F. M. Dostoevskogo [«The face of the earth and the eternal truth». On the perception of the world and the image of the hero in the works of F. M. Dostoevsky]. Petrozavodsk (in Russ.).
Nabokov, V. V., 1996. Lektsii po russkoi literature: Chekhov, Dostoevskii, Gogol', Gor'kii, Tolstoi [Lectures on Russian literature: Chekhov, Dostoevsky, Gogol, Gorky, Tolstoy]. Moscow (in Russ.).
Nabokov, V. V., n. d. Poseshchenie muzeya [The Visit to the Museum]. Available at:
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Metatheatre under the sign of Chekhov (based on plays by V. Levanov, O. Bogayev, A. Mardan)
Since Lionel Abel (1963), metatheatrical plays are understood as a piece of drama, whose object is the play itself. The author considers the reasons behind the frequent references to the personality and works of A. P. Chekhov found in modern metatheatrical drama and analyses the changes to the standard “author-actor-audience” theatrical communication brought about by metatheatrical elements.
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The theme of Old Believers in the works of Alexander Kuprin: discussion and study prospects
... Belief in the artistic heritage of A. Kuprin. The sources of Old Believer images in the writer's work, as well as their influence on the plot of his works, are investigated. A hypothesis is put forward about the significant influence of L. Tolstoy and A. Chekhov on the formation of the author's idea of old-timers. The thesis of the crucial importance of stereotypes ingrained in the people for the perception of Russian Old Believers by Kuprin is substantiated. Particularly emphasized is the inextricability ...